They seem incapable of the over-and-above stuff. I believe maybe it continues on inside their heads they are incapable of catching it as they read but. They've been too directly intent on the reading. They cant get started looking two ways at the same time. I think too they've been afraid of the simplicity of several things they think regarding the side because they read. They wouldn’t have the face for connecting it on paper with the great author they have now been reading. It might be a childhood memory; it may possibly be some homely simile; it might be a relative line or verse of mother goose. They desire it to be bookish and big. Nevertheless they haven’t books enough in their heads to match book stuff with book stuff. Needless to say several of that would be all right.

Indeed, in many ways Frost’s advice on essay-writing is truly advice on reading — that mutuality of thought between reader and writer, pulsed through by the book as “a heart that only beats in the chest of some other.” Echoing Virginia Woolf’s dictum on how to read a written book, Frost offers counsel so passionate that it becomes almost a stream-of-consciousness prose poem, barely punctuated:

The video game is matching your author thought for thought in any of the numerous possible ways. Reading then becomes that are converse and take. It is only conversation in which the reader takes part addressing himself to anything more within the author inside the subject matter or form. In the same way when we talk together! Being careful to carry up our end and to do our part agreeably without a lot of contradiction and mere opinionation. The best thing of most is certainly going each other one better piling up the ideas anecdotes and incidents like alternating hands piled up in the knee. Well its out of conversation such as this with a book that you find perhaps one idea perhaps yours probably the book’s that will assist for any other lesser ideas to center around. And there’s your essay.

He lands from this poetic elation into some practical advice:

Be brief at first. You should be honest. You don’t want which will make your material seem a lot more than it is. You won’t have so much to say in the beginning while you will have later. My defect is within not having learned to hammer my material into one lump. I haven’t had experience enough. The facts of essay won’t come in right they will in narrative for me as. Sometimes I have gotten round the difficulty by some narrative dodge.

Take it simple using the essay whatever you do. Write it as well if you have to write it as you can. Be as concrete as the law allows inside it — concrete and experiential. Don’t allow it to scare you. Don’t strain. Keep in mind that any old thing that occurs in your thoughts you want as you read may be the thing. If nothing much appears to happen, perhaps another reading shall help. Probably the book is bad or perhaps is not your kind — is nothing to you and can begin nothing in your nature one way or another.

He interjects a meta-remark from the nature naturalness and — of the essay form:

Of course this letter is essay. It is material which has had arrive at the top of my mind in reading just as frost brings stones into the surface of this ground 123helpme sign up.

During the end that is very before signing off “Affectionately Papa,” Frost can’t resist taking only a little jab in the essay, voicing the sentiment that seems to explain his or her own lifelong resistance to partaking within the genre:

I don’t know you understand whether its worth very that is much mean the essay — when you yourself have it written. I’m rather afraid of it as an enemy towards the really creative writing that holds scenes and things into the eye voices in the ear and whole situations as sort of plexus in your body (I don’t know just where).

Lesley grew up to be an author herself, albeit not of essays — she published two books of stories for kids: Really certainly not in 1962, published months that are mere her father’s death, and Digging right down to China in 1968.

With its portly 850-page totality, The Letters of Robert Frost is a trove of writerly wisdom and heartwarming parental advice into the poet’s six children, of whom Lesley and her sister Irma outlived their father. Complement it with Frost’s poem that is beautiful art and government, which he meant to but didn’t read at JFK’s inauguration, and F. Scott Fitzgerald in the secret of great writing in a letter of advice to his own daughter, then revisit this growing library of writers’ advice on writing.

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